Dirty Mind by Prince
Hello. What’s up? Oh forget it.
This week I have been listening to the incredible Prince album ‘Dirty Mind’ and I would really like to tell you all about it. Released in 1980 it sees Prince cutting loose from his previous smooth soul vibes to basically be an utter sex pest in musical form for about half an hour, and consequently is one of my favourite albums of his - and I like them all, up until the point he did a bad mental, started writing words wrong on his face and releasing triple albums through the Daily Mail. And yes, that does mean I quite like Batdance.
Anyway, the album kicks off with the song ‘Dirty Mind’ wherein Prince shows that he evidently spent most of the earnings from his previous records on the most cutting-edge Bontempi keyboard he could find in Poundland. Lyrically it will no doubt come as a surprise to you to learn that the song is basically a hymn to how much of an unbelievably disgusting pervert the man is, and as such aptly sets the tone for the rest of the album. At one stage Prince rather peculiarly suggests to a young lady that he can ‘buy’ a dirty mind for her, although where one would go in order to purchase such an item I have absolutely no idea. (NOTE TO SELF: LOOK INTO WHERE PRINCE BUYS DIRTY MINDS. ORDER 12 PACK).
The next song is chuggy New Wave-y number ‘When You Were Mine’, one of his most best loved songs and so popular that it has been covered by literally everyone, ever. Lonely old Prince can not believe that his sexy lady has basically walked out on him, although not before shagging half of his friends and then making him sleep in their communal sex wetness. This walk-out is all the more unbelievable given that Prince allowed the shameless harlot to wear ALL of his clothes, although judging from the cover of Dirty Mind there wasn’t much to choose from and this gesture may have actually precipitated the break-up of the relationship now I think about it. Anyway, Prince contents himself with following his ex and her new man around in a way that is totally not creepy in any way, no doubt whilst at the same time performing an unnecessarily elaborate and ostentatious act of ‘self-harm’ in the way that only Prince can.
Next song is ‘Do It All Night’, although Prince singularly and disappointingly fails to go into any detail as to what he actually intends for us to be doing all night with him. Little ‘heads-up’ my diminutive purple friend: more specifics needed if you’re going to make it in this business. What, one asks, could you possibly want to do ALL NIGHT? The only thing that I can think of is maybe a ‘Mike and Molly’ marathon with plenty of fiery ginger beer and Angel Delight, although I would need to warn Prince that around 3am I do get quite tired/handsy.
‘Gotta Broken Heart Again’ is a swingy little number that has the advantage of being short and no more will therefore be said on the matter.
The next song is party-disco-super-anthem ‘Uptown’, which I assume is about the same place that Billy Joel went to pick up prostitutes all those years ago when we were young, idealistic and free from inflammation/itching. Lyrically Prince seems to imagine an ideal world where people just go completely nuts partying in purple velvet suits all the time without the fricking MAN telling them to shut up, go home or put their underpants back on. Frankly this is a place I want to live and I would like to go there with Prince. Within this song some woman who is clearly borderline deranged asks Prince whether he is gay - SOMEONE clearly hasn’t been paying attention.
In the following song, ‘Head’, Prince decides that he can’t spend all his time imagining utopian futures for wild party freaks who just can’t stop bringing the heat no matter how much their suit is itching and understandably takes some time out to describe how much he enjoyed persuading a bride on the way to her wedding to suck him off. In my opinion it is when Prince takes everyday situations like this and holds a mirror up to our normal lives that we realise just how universal his lyrical subject matter is.
The next song is ‘Sister’, a a lovely paean to Prince’s elder sibling. Hearing the lyrics of this song and the description of his young life it comes as no surprise to me that Prince has turned into such a well-rounded individual with a healthy, near-ascetic attitude to sex.
The final song on the album, ‘Partyup’, basically makes it clear that even though the record is coming to an end Prince has no intention of settling down on the settee with a copy of TV Quick and a dandelion and nettle infusion, and that he thinks that anybody who thinks different can basically suck his balls or something equally bad because he has had it with people not wanting to party or wear medieval-style outfits or just walk around in a French military uniform with no underpants on getting sucked off pretty much constantly. “Take that, fuckheads!” Prince seems to be saying on this song. “I’m drinking neat Taboo and I haven’t seen my top in about 10 minutes! Also I have some lovebeads in me.” It is basically impossible not to at least party a little bit while listening to this song, even if it means taking your socks off for 5 minutes and thinking about Andre Villas-Boas in cycling shorts.
So, in short, ‘Dirty Mind’ is an incredible record and you should totally listen to it immediately, although not without first having cleared some space and covered your furniture in wipe-clean sheeting. What are you waiting for?
No, really. Don’t piss me off.
